This time, Netflix signed on Anna Chlumsky as Vivian Kent, who portrays the fictionalized version of Pressler in "Inventing Anna." Julia Stiles played a journalist based on Pressler. Her story laid the foundation for “ Hustlers,” a 2019 film starring Jennifer Lopez and Constance Wu. In 2015, she wrote a piece for New York magazine called, “ The Hustlers at Scores,” which chronicled the 2014 charges against four women accused of drugging men and making large purchases on their credit cards at NYC strip clubs. In 2005, she relocated to New York City and has since been featured in several editions of Columbia Journalism School’s anthologies of Best Business Writing.īut “Inventing Anna” isn’t the first onscreen adaptation based on her journalistic work. Jessica Pressler attends the Talking Pictures Screening of "Hustlers" during the 31st Annual Palm Springs International Film Festival on Januin Palm Springs, California.Īccording to her website, Jessica Pressler is a graduate of Temple University in Philadelphia and worked for Philadelphia magazine and Philadelphia Weekly. “Anna and the reporter form a dark, funny love-hate bond as Anna awaits trial, and our reporter fights the clock to answer the biggest question in NYC: who is Anna Delvey?” Netflix snapped up the rights to the article with Shonda Rhimes as creator and producer.įor the series, Pressler is described as a “journalist with a lot to prove” as she investigates the alleged crimes committed by Sorokin, according to the Netflix promotional material. However, the real-life story revealed a fraudster in her 20s who would later be convicted of theft and fraud charges. The acclaimed journalist, nominated for the National Magazine award in 2015, wrote a now infamous story called, “ How Anna Delvey Tricked New York’s Party People.” The article tells the story of Anna Delvey, whose real name is Anna Sorokin, and how she swindled and scammed her way into New York’s elite circles under the pretense of being an affluent German-born heiress. “But I think like a lot of other people, she was wise that she saw that she was part of this narrative and that the story was getting bigger and bigger and she decided, ‘I’m going to put my side of the story out there and write this book.Jessica Pressler, the New York Magazine writer who chronicled the rise and fall of Anna Delvey, is portrayed in the upcoming Netflix series, ‘Inventing Anna.’ I think it was very difficult for her to realize that this person wasn’t who she thought she was,” Shane told ET. “Rachel really suffered through this experience. But this Netflix description felt shocking.” She adds that by selling the rights of her story to HBO, “I understood that stepping into the spotlight came with certain risks - I would only have so much control over how I was portrayed. “So, I decided to turn my thoughts into an article for my then-employer, Vanity Fair, and later a book, My Friend Anna, hoping my story would serve as a cautionary tale.” “It was destabilizing to have been so wrong about someone I trusted,” Williams writes in another essay for Time. ![]() She also appeared on-camera in the 2021 HBO Max docuseries Generation Hustle.ĭespite having profited off the situation, which Generation Hustle director Martha Shane said has become a larger “Anna Delvey cottage industry” of people cashing in, Williams was in debt and traumatized by what happened to her. The former Vanity Fair employee sold her story to the magazine and wrote the 2018 article, “ As an Added Bonus, She Paid for Everything.” She later published a memoir, My Friend Anna: The True Story of a Fake Heiress, which was optioned by HBO and Lena Dunham. “Netflix provided Anna with so much cash that, even after some victims recouped their losses (thanks to a judge’s invocation of the ‘Son of Sam’ law), she finished her prison sentence with capital leftover - seemingly enough to burn on Balenciaga and then some,” Williams claims.ĭelvey, however, was not forced to pay Williams back for the Morocco trip. ![]() According to Insider, “Netflix paid Anna Sorokin $320,000 for the rights to adapt her life story into a TV series.” The outlet also revealed that “Sorokin has used $199,000 of the money to pay restitution to the banks, plus another $24,000 to settle state fines.” Williams also goes after the streaming service for paying Delvey for the rights to her story before her trial even began.
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